Using a unique process that combines painting and woodcarving, McNall’s work balances intricate patterns and textured mark making bound by organic shapes against stretches of pure pigment. Her practice relates directly to the handmade in both subject matter and execution. She opens a dialogue on the relationship between people, their environments, and what inherently fastens us to our surroundings, examining the empowering qualities these places retain.
The faceless figures in McNall’s work resemble Goddess like muses as they rest in dynamic yet effortless poses. Each one embodies strength, confidence and wisdom alike. The figures are adorned with a novel blend of symbolic patterns and mark making. They rest within their own elements, surrounded by a complex yet tranquil interior landscape that inhabit both ancient and futuristic realms. They act as anonymous guardians of transcendent, yet familiar moments in time. Through this work, McNall explores the body as a vessel, a container that carries us through life, using both literal vessels such as vases and containers, as well as human forms. She investigates all that is held within our worldly form: memories, tension, energy, healing properties, intuition and how all of these aspects’ manifests into movement.
b. 1988, Bay Area, CA